Starred Review. Gr 9 Up—Smithson experienced the events of 9/11 while in high school and responded by enlisting in the Army Reserve after graduation. He married his high school sweetheart before being deployed to Iraq. Once there, he worked as an equipment operator in an equipment platoon, and while mortar fire was a regular occurrence, the missions he describes were all about bulldozing berms, filling craters created by IEDs, and convoying lumber. Some of the author's most poignant passages are his descriptions of interactions with Iraqi children. Where he was expecting rock-throwing, he encountered barefoot, dirty children grateful for the water the soldiers gave them. It is these children and the villagers he met that help explain for him the purpose of the war. The book ends with Smithson's return home, his almost magical escape from night terrors, and his work with children in his own hometown. Writing proves to be his therapy for PTSD. There are mixed metaphors aplenty, crude and morbid humor, and other evidence of a young author, but it all works together to create a tough but powerful look at one man's experience.—

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The Forest of Hands and Teeth

Through twists and turns of fate, orphaned Mary seeks knowledge of life, love, and especially what lies beyond her walled village and the surrounding forest, where dwell the unconsecrated, aggressive flesh-eating people who were once dead.

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Circuit-bending : build your own alien instruments

Here's a book on the latest craze!

Start turning throw-away audio electronics into magical music engines and discover a freedom of expression that comes straight from your dreams. All you need to know about electronics is how to solder—an how to read these instructions from the guy who accidentally started it all. Limitations? Only your imagination.
Inside you'll find detailed instructions for turning ANY circuit you find into an alien music engine overnight, along with never before revealed secrets to bent instruments.

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Tricks

The newest book from teen- favorite Ellen Hopkins!

Hopkins again tackles a serious societal problem, this time focusing on teen prostitution. Fans of her work will recognize both her signature free verses and the gritty details she weaves within them. Newcomers, however, may be shocked by the graphic depictions of five struggling teens who find themselves turning tricks (one realizes her mother has sold her for a good time with a stranger, while another recounts pretending to enjoy... deviant sex to earn the trust of a guard at an ultra-strict religious rehabilitation camp). Some plotting seems clichéd, such as the story of a preacher's daughter from Idaho, whose mother banishes her to the Tears of Zion camp after catching her with her boyfriend. While each story unfolds slowly, readers will understand the protagonists' desperation as well as their complete powerlessness once their descents have begun. Each story is unique (one teen needs money, another was thrown out because of his sexuality, still another was simply looking for love from the wrong person); while readers may connect with some characters more than others, they will long remember each painful story. Ages 14–up

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Everything Is Fine

by Ann Dee Ellis
Mazzy is fine. Her severely depressed, almost catatonic mother is fine—as long as Mazzy takes care of her and keeps neighbors and family-services investigators away. Her absent ESPN-host father is fine, though he's been gone a while and Mazzy doesn't feel like returning his calls. And the summer will be fine, as long as she can keep hanging out with Colby, her neighbor, and pursue her art. In spare prose verging on free verse, Mazzy tells her story, of her daily routines without parents, of her occasional interactions with neighbors—and of the tragic accident that recently killed her young sister and led to her family's breakdown. Ellis impressively captures the voice of a sardonic, damaged, but surviving adolescent girl. Secondary characters are fleshed out well through Mazzy's pointed descriptions and snappy dialogue, and Colby shines with humor and a personality that rings true. Readers are given glimpses into the family Mazzy used to have, and the girl she once was. Although the ending seems hasty and perhaps unrealistically optimistic, Ellis has created a unique snapshot of family tragedy that's refreshingly devoid of melodrama.—

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No such thing as the real world : stories about growing up and getting a life

Six award-winning young adult authors present short stories featuring teens who have to face the "real world" for the first time.

"The Projection" is a mind-blowing drama set in improvisational theater. The emotionally charged situation shifts to a complex illusion of what is real and what is an act. A staged relationship is played out and a mind game is replayed, unwound, and rewound in the present, past, and future. An Na's "Complication" is a disturbing story of a rape victim and single mother's scheme to target and extort money from her attacker's relative. Trying to redeem his brother's crime by showing tenderness and concern, the good brother strives toward resolution, but Fay has her own ideas and needs to be free. Beth Kephart's "The Longest Distance" addresses the deceased's best friend and teen suicide. The narrator is sad, confused, and desperate to answer the age-old question, "Why?" Other contributors include K. L. Going, Chris Lynch, and Jacqueline Woodson. This unique collection will challenge students' intellect and have them questioning their own decision-making skills. A fine balance is straddled between sophisticated prose and authentic teen voices, uninhibited and peppered with profanity - School Library Journal Review


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Living Dead Girl

Starred Review. Fans of Scott's YA romances Perfect You or Bloom may be unprepared for the unrelieved terror within this chilling novel, about a 15-year-old girl who has spent the last five years being abused by a kidnapper named Ray and is kept powerless by Ray's promise to harm her family if she makes one false move. The narrator knows she is the second of the girls Ray has abducted and renamed Alice; Ray killed the first when she outgrew her childlike body at 15, and now Alice half-hopes her own demise is approaching (I think of the knife in the kitchen, of the bridges I've seen from the bus... but the thing about hearts is that they always want to keep beating). Ray, however, has an even more sinister plan: he orders Alice to find a new girl, then train her to Ray's tastes. Scott's prose is spare and damning, relying on suggestive details and their impact on Alice to convey the unimaginable violence she repeatedly experiences. Disturbing but fascinating, the book exerts an inescapable grip on readers—like Alice, they have virtually no choice but to continue until the conclusion sets them free. Ages 16–up. Publisher Weekly Review

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